Ships with an exclusive DFA sticker limited to The cover was used a bonus track during This Is Happening. Chunky percussive layers, hard steady kicks, and tweaked loopy vocals create a playful vibe that is best described as a tropical-industrial hybrid.
With Trogg Modal Vol. Whether it be the sound of a rocket ship, a kitten-with-a-wah, distorted dolphins, or a clavichord made out of honey-baked ham, the band consistently finds new ways to bring together the many ideas that combine to shape each new batch of art-rock puzzle pieces. Angular yet irresistibly catchy, this collection of pop songs pulls influence from powerful groups like The Slits, ESG, Gina X, and early Madonna, with sing-speak vocals from Kassie Carlson nodding to legendary artists like Laurie Anderson, Grace Jones, and Lizzy Mercier Descloux — combining this all into a twisted, crystalline concoction.
Oracles and enigmatic egos are common lyrical themes, but charismatic instrumentality springs the listener back to extraterrestrial comfort. Peter has truly excelled on this new recording, creating a complex networks of beats and sound that become easily intertwined with the rhythmic fabric of life. Raised in a devoutly religious family, vocalist Kassie Carlson started performing at the age of five. Growing up under the fear of God leaves a distinct footprint on your perception.
An omnipresent male dictates not only your present waking life but also the rest of your eternity. Discovering a rock band was more than self-expression for Kassie, it was a manifestation of a self-healing temple, a personal pipeline for power. What better way to part the waters of toxic sludge than a matriarchal shout?
He designs moments of dense, glistening, pitch-shifted harmony and measured strumming that link classical impressionism to no-wave and early minimal music. His recent solo work truly comes through on this new record, as he tethers fantastical surreality to noise rock to deconstructed Middle Eastern pop music.
Keyboardist Sam Lisabeth paws the keys with distinct virtuosity and expressive sass. The pebbled vocal samples — "Holding you, couldn't be alone" on "Archangel"; "It could be bad, away from my heart" on the title track — tug at your heart, while gently pulling your sleeve to the dancefloor.
Kraftwerk were light years ahead of their time with Seventies albums like Trans-Europe Express and Autobahn , vaguely tongue-in-cheek yet still troublingly convincing hymns to the inevitable marriage of man and machine lurking just around the next bend in the info super-highway. At the dawn of the Eighties, the future had finally caught up with the German synth act: "by pressing down a special key it plays a little melody," a dinky Teutonic voice boats on "Pocket Calculator," giving EDM its very own version of Chuck Berry 's "Rock And Roll Music.
It'sFacebook funk. That sound conquered the charts with 's "Smack My Bitch Up," but the Prodigy's real leap took place three years earlier on their second album — all snarling acid "Claustrophobic Song" and electro blips that resonate like Gibson Les Pauls "Voodoo People". Most decisively, they added sonic heft by slowing down the breaks on tracks like "Poison," upping their weight class.
This is where a couple silly French guys in robot getups became one of the most insidiously influential pop acts of the past decade. Daft Punk spawned a zillion vocoder-pop wannabes, and their Coachella appearance is ground zero for the recent EDM explosion if anything is.
On Discovery , they simultaneously parodied and honored radio cheese from the Seventies and Eighties and came up with jams to heat up your boogie nights and massage your waterbed soul. Legendary Chicago imprint Trax Records wasn't the first house label, but it was undoubtedly the biggest and best, and this hefty collection one DJ mix and two CDs of full tracks rolls out one low-budget, louche late-Eighties classic after another.
Any good DJ should be able to play anything. But it takes a truly great one or two to play everything — and make it all sing. The secret of this hour-long thrill ride, piloted by Belgian bros Steven and David Dewaele of the band Soulwax, is that instead of being trippy and expansive, it's as reductive as punk — and driving and exciting in the same way.
Building on a bed of early-'00s electro, the Dewaeles traverse pop history, from the Velvets to Dolly Parton , Skee-Lo to the Breeders.
It remains an instant party-starter and proof that even Girl Talk has roots. The album that soundtracked a jillion car commercials: After being the biggest presence on the US rave scene throughout the Nineties, Moby enjoyed an unlikely mainstream breakthrough by marrying ambient beats to old gospel and blues samples. Moby even shows off his sense of humor on "South Side," an empathetic song about white kids trying to fake it real on the rough side of town.
Sold Out. Will To Power Claustrophobia Interdependence Melodies ghost, whisper and finally roar as the Italian pushes the parameters of darkened electronics. Croaking samples and brutish percussion coiling to a bitter end. Tags electronic acid ebm electro industrial techno wave Rotterdam. Record label founded in by Marsman. With her band of musical misfits, Guerilla Toss is an unstoppable force of nature.
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Remember me on this computer. Cancel Forgot your password? Music LP : German. Home About Help Search. How blessed could she be to get two buildings on the most active streets and most wanted when it came to realtor? Help his wife. She forked the money out for the space and she got it then worked her ass off towards the second which she got as well.
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My first experience happened when I was thirteen. Too y oung, I know. I was shaky and nervous, cause who knew how long and hard it would take to reach the you know…point. It was skinny, strong, and firm. Impressively long in height; and of course I was afraid I would hurt myself. Watching it done by several of the best, it came without question the pain that was to come trying to withstand such discomfort for so long. But over the years with much practice, of course I became an expert.
A wise woman with her pizazz, and such fierceness, I remembered, coddled me in them, strutted in them, and would prance her elongated, and beautifully structured legs into the six inch sky highs just for sport on the runways.
My Naimah Constance-Pierre heel collection was something I cherished more at that tender age than a nything money could buy; they were the blueprint.
She was supermodel supreme, and putting it lightly, my mother was a legend. Since birth, the names were stitched in our diapers, and enunciated clearly by the age of eight. What are you, what are you so afraid of?
He was happy to be back home in his city. He missed Toronto immensely. The sounds, the smells, the aura. Everything that made Toronto, well, Toronto, he missed it. However, just because he was back home, does not mean that he can spend all of his time with friends and family. He had to work, he had things to do, an album to finish and another mixtape to release.
The mixtape received so much positive reviews from b oth the fans and the critics that they were now salivating with anticipation for new work from him. And he had to deliver.
They will be bombarded with dozens of paparazzi. But in Toronto, everything went seemingly and without the annoying interruption of paps. Subramaniam will improvise on Indian raga structures. Don Cherry will perform with an international quartet that includes a Brazilian percussionist, a specialist in Indian stringed and percussion instruments, and an American Indian saxophonist.
Paul Horn, who recorded unaccompanied flute solos inside India's Taj Mahal in the early 's, will recreate that performance. The jazz critic and drummer Stanley Crouch is co-producing another unusual festival concert, ''Freedom Swings,'' which will take place in Avery Fisher Hall Tuesday at 5 P.
Crouch notes. So we're presenting two groups that definitely do swing, groups that include some of the best of the younger musicians.
The fusion of black funk and disco rhythms with white rock has been New York City's most important contribution to the world's pop music during the last few years. A group called the Dance has been one of the leading rock-funk pace-setters, and on Saturday the Dance will perform at the Ritz in conjunction with the release of their second album, ''Soul Force,'' by England's Statik records.Nicolas Jaar has been well known for his improvisational electronic recordings but since has been separately working on his Against All Logic project on which he explores his love for house, soul and funk. His previous collection has proved to be a favourite amongst discerning fans of the genre.